I first encountered the title when I read it off a site that my fiance linked to me. It was a line up of the upcoming animes to be released in Spring 2010 in Japan.
I suppose that other titles should have drowned in my eyes as soon as Ispotted these titles: the much-awaited second season of K-ON!, the hyped up Black*Rock Shooter anime, and my recent shoujo manga favorite Kaichou wa Maid-sama. However, Nakamura Hikaru’s Arakawa Under The Bridge caught my interest easily. The plot seemed simple enough: a high-profile guy, who has vowed to never be in anyone’s debt as long as he lives, met an eccentric woman who lives under the bridge. And as expected, fate would have it, this woman–who believes she comes from Venus–ends up saving his life and now he owes her big time. He returns the favor by being the woman’s boyfriend…who will live with her under the bridge. Hence the title.
The plot was somewhat cliche, if you think about it. It was simply like an inverse “damsel in distress” plot or a classic tale of ”guy met a girl and turned his world upside down.” And there, for me, was the very thing that made me so curious about it. I am a sucker for cliched plots and its endless possibilities. Technically, I know that there’s only one way from Point A to Point B, but you just got to love how different people would (and could) circumvent that simple plot and turn it into an epic tale.
The First 22
In 22 pages, I was introduced to Ichinomiya Kou who lived off the principle of never owing anyone anything. Not even small favors such as someone else picking up his eraser on the floor. He is a straight A student studying in a prestigious university with “bright future” written all over him, and “one should never create a debt to other people” written all over his necktie quite literally. He lived his life bound by that rule, and that’s exactly what got him into serious trouble.
You see, a few kids stole his pants. And the scene was a remarkably funny panel. It was a picture of a supposed well-groomed boy running with his pants down and a few street kids trying to steal it from him. One could simply deduce how Ichinomiya Kou grew up in a sheltered environment if those runts could bully an almost college graduate into losing his pants. His pants ended up getting hung on a relatively high area of the bridge (stop wondering how the kids managed to do that; I quit after thinking of three ‘plausible’ ways.) Now our high-profile loser was bent on retrieving his pants without anyone’s help–never mind that he looked silly just wearing his boxers at the side of the bridge, risking ‘indecent exposure’ to the girl with a fishing rod who offered to fish it for him.
I simply loved his conflict at this stage. Every time the girl offers help, he would resort to a flashback of how his principle ruled his life–from his manly babysitter to his early exposure at the company, and each memory is amusing. Quite an imagination, that he has. I could say that he was really tempted to throw the towel at the ring (especially when he realized that no matter what he does, he would be showing his junior to the world). But no, he trudged on and protected his reputation as “The Man Who Can’t Be In Debt To Anyone”, which was the chapter’s title. You can either admire his perseverance… or laugh at him for his stupidity. (Come on, can’t the son of the “world’s best enterprise” call a copter or something and order them to get it for him? Haha.) Therefore in his refusal, he fell (duh) on the water and almost drowned because of the pipe that was weighing him down. When his consciousness returned, not only did he find himself french kissing a fish and still without his trousers, the girl also just informed him that he owed her his life. The very thing that he was avoiding. When I wrote the last two sentences, it seemed so anti-climactic. But when I think about it, I know that the fun has just begun. Just how would he take that ‘devastating’ news? And just what would the girl ask from him? Well the answer is pretty much given, but hey, I’ve just read the first chapter and simply jotting down my first impressions on this creation.
Hook, line, sinker
The art is simple, but not generic anime-looking. In some pages, the characters looks mature. Ichinomiya is usually drawn comically, and I notice that the bridge girl has a rather wide forehead. It’s not your everyday anime art, but the style grows on you after a while. Overall, I find this a quirky read. The transition from one scene to another is smooth; like a well-delivered joke with punchlines coming in smoothly one after the other. Reading through the first chapter of Arakawa Under the Bridge made me feel like I was a fish. Someone cast a line and I fell for the bait: ”Humans are so picky,” said the girl from the bridge. “Here they live with so many people, yet they choose only one person to be theirs.” I was owned; hook, line, sinker. And that was just the first page. There was no dull moment or wasted page in this chapter. I turned the last page, knowing and believing that the next chapter would deliver the same effect to me.
I shall post this now, and will continue to happily read through.





